The Movie House - Part 11

Full list of nominees:

Best Picture
“The Father” (David Parfitt, Jean-Louis Livi and Philippe Carcassonne, producers)

“Judas and the Black Messiah” (Shaka King, Charles D. King and Ryan Coogler, producers)

“Mank” (Ceán Chaffin, Eric Roth and Douglas Urbanski, producers)

“Minari” (Christina Oh, producer)

“Nomadland” (Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao, producers)

“Promising Young Woman” (Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, producers)

“Sound of Metal” (Bert Hamelinck and Sacha Ben Harroche, producers)

“The Trial of the Chicago 7” (Marc Platt and Stuart Besser, producers)

Best Director
Thomas Vinterberg (“Another Round”)

David Fincher (“Mank”)

Lee Isaac Chung (“Minari”)

Chloé Zhao (“Nomadland”)

Emerald Fennell (“Promising Young Woman”)

Best Actor in a Leading Role
Riz Ahmed (“Sound of Metal”)

Chadwick Boseman (“Ma Rainey’s Black Bottom”)

Anthony Hopkins (“The Father”)

Gary Oldman (“Mank”)

Steven Yeun (“Minari”)

Best Actress in a Leading Role
Viola Davis (“Ma Rainey’s Black Bottom”)

Andra Day (“The United States v. Billie Holiday”)

Vanessa Kirby (“Pieces of a Woman”)

Frances McDormand (“Nomadland”)

Carey Mulligan (“Promising Young Woman”)

Best Actor in a Supporting Role
Sacha Baron Cohen (“The Trial of the Chicago 7”)

Daniel Kaluuya (“Judas and the Black Messiah”)

Leslie Odom Jr. (“One Night in Miami”)

Paul Raci (“Sound of Metal”)

Lakeith Stanfield (“Judas and the Black Messiah”)

Best Actress in a Supporting Role
Maria Bakalova (‘Borat Subsequent Moviefilm”)

Glenn Close (“Hillbilly Elegy”)

Olivia Colman (“The Father”)

Amanda Seyfried (“Mank”)

Yuh-jung Youn (“Minari”)

Best Animated Feature Film
“Onward” (Pixar)

“Over the Moon” (Netflix)

“A Shaun the Sheep Movie: Farmageddon” (Netflix)

“Soul” (Pixar)

“Wolfwalkers” (Apple TV Plus/GKIDS)

Best Adapted Screenplay
“Borat Subsequent Moviefilm.” Screenplay by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Peter Baynham, Erica Rivinoja, Dan Mazer, Jena Friedman, Lee Kern; Story by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Nina Pedrad

“The Father,” Christopher Hampton and Florian Zeller

“Nomadland,” Chloé Zhao

“One Night in Miami,” Kemp Powers

“The White Tiger,” Ramin Bahrani

Best Original Screenplay
“Judas and the Black Messiah.” Screenplay by Will Berson, Shaka King; Story by Will Berson, Shaka King, Kenny Lucas, Keith Lucas

“Minari,” Lee Isaac Chung

“Promising Young Woman,” Emerald Fennell

“Sound of Metal.” Screenplay by Darius Marder, Abraham Marder; Story by Darius Marder, Derek Cianfrance

“The Trial of the Chicago 7,” Aaron Sorkin

Best Original Song
“Fight for You,” (“Judas and the Black Messiah”). Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas

“Hear My Voice,” (“The Trial of the Chicago 7”). Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite

“Húsavík,” (“Eurovision Song Contest”). Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard Göransson

“Io Si (Seen),” (“The Life Ahead”). Music by Diane Warren; Lyric by Diane Warren and Laura Pausini

“Speak Now,” (“One Night in Miami”). Music and Lyric by Leslie Odom, Jr. and Sam Ashworth

Best Original Score
“Da 5 Bloods,” Terence Blanchard

“Mank,” Trent Reznor, Atticus Ross

“Minari,” Emile Mosseri

“News of the World,” James Newton Howard

“Soul,” Trent Reznor, Atticus Ross, Jon Batiste

Best Sound
“Greyhound,” Warren Shaw, Michael Minkler, Beau Borders and David Wyman

“Mank,” Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin

“News of the World,” Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett

“Soul,” Ren Klyce, Coya Elliott and David Parker

“Sound of Metal,” Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh

Best Costume Design
“Emma,” Alexandra Byrne

“Mank,” Trish Summerville

“Ma Rainey’s Black Bottom,” Ann Roth

“Mulan,” Bina Daigeler

“Pinocchio,” Massimo Cantini Parrini

Best Animated Short Film
“Burrow” (Disney Plus/Pixar)

“Genius Loci” (Kazak Productions)

“If Anything Happens I Love You” (Netflix)

“Opera” (Beasts and Natives Alike)

“Yes-People” (CAOZ hf. Hólamói)

Best Live-Action Short Film
“Feeling Through”

“The Letter Room”

“The Present”

“Two Distant Strangers”

“White Eye”

Best Cinematography
“Judas and the Black Messiah,” Sean Bobbitt

“Mank,” Erik Messerschmidt

“News of the World,” Dariusz Wolski

“Nomadland,” Joshua James Richards

“The Trial of the Chicago 7,” Phedon Papamichael

Best Documentary Feature
“Collective,” Alexander Nanau and Bianca Oana

“Crip Camp,” Nicole Newnham, Jim LeBrecht and Sara Bolder

“The Mole Agent,” Maite Alberdi and Marcela Santibáñez

“My Octopus Teacher,” Pippa Ehrlich, James Reed and Craig Foster

“Time,” Garrett Bradley, Lauren Domino and Kellen Quinn

Best Documentary Short Subject
“Colette,” Anthony Giacchino and Alice Doyard

“A Concerto Is a Conversation,” Ben Proudfoot and Kris Bowers

“Do Not Split,” Anders Hammer and Charlotte Cook

“Hunger Ward,” Skye Fitzgerald and Michael Scheuerman

“A Love Song for Latasha,” Sophia Nahli Allison and Janice Duncan

Best Film Editing
“The Father,” Yorgos Lamprinos

“Nomadland,” Chloé Zhao

“Promising Young Woman,” Frédéric Thoraval

“Sound of Metal,” Mikkel E.G. Nielsen

“The Trial of the Chicago 7,” Alan Baumgarten

Best International Feature Film
“Another Round” (Denmark)

“Better Days” (Hong Kong)

“Collective” (Romania)

“The Man Who Sold His Skin” (Tunisia)

“Quo Vadis, Aida?”(Bosnia and Herzegovina)

Best Makeup and Hairstyling
“Emma,” Marese Langan, Laura Allen, Claudia Stolze

“Hillbilly Elegy,” Eryn Krueger Mekash, Patricia Dehaney, Matthew Mungle

“Ma Rainey’s Black Bottom,” Sergio Lopez-Rivera, Mia Neal, Jamika Wilson

“Mank,” Kimberley Spiteri, Gigi Williams, Colleen LaBaff

“Pinocchio,” Mark Coulier, Dalia Colli, Francesco Pegoretti

Best Production Design
“The Father.” Production Design: Peter Francis; Set Decoration: Cathy Featherstone

“Ma Rainey’s Black Bottom.” Production Design: Mark Ricker; Set Decoration: Karen O’Hara and Diana Stoughton

“Mank.” Production Design: Donald Graham Burt; Set Decoration: Jan Pascale

“News of the World.” Production Design: David Crank; Set Decoration: Elizabeth Keenan

“Tenet.” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

Best Visual Effects
“Love and Monsters,” Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox

“The Midnight Sky,” Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins

“Mulan,” Sean Faden, Anders Langlands, Seth Maury and Steve Ingram

“The One and Only Ivan,” Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez

“Tenet,” Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher

Don't watch a lot of animated movies ,but wolfwakers was fantastic . Also loved Song of the Sea by the same creators

Tunes vs. Goons. Watch LeBron James and Bugs Bunny in the new trailer for Space Jam: A New Legacy. In theaters and streaming on HBO Max* – July 16. #SpaceJamMovie pic.twitter.com/7KOEPJP06i

— Space Jam: A New Legacy (@spacejammovie) April 3, 2021

day 1

Not Day 1 for me, but I will watch it at some point.

Targeted audience: kids

Actual audience: dudes in their 30s/late 20s

I had over 4k movie library, haven't watched movies in about a year, other than one or two. There's you problem.

McLewis wrote:One Night in Miami - 8/10

It was a good watch. Strong performances from all 4 leads, particularly from Kingsley Ben-Adir and Leslie Odom Jr. So much commentary from this is as relevant today as it was then. What I liked most about this movie is that it captures how much things have changed and how much things have not changed at all. It will be in the awards hunt for sure.

McLewis wrote:
Judas and the Black Messiah

Haunting, taut and paced really well by Shaka King. Powerful performances from Daniel Kaluuya, LaKeith Stanfield and Dominique Fishback. Dovetails very nicely with the Trial of the Chicago 7, which takes place just after Fred Hampton's assassination.  I don't think I've been this impressed by a truly black historical film since Spike Lee's Malcolm X. One Night in Miami will be the media and awards show darling (and deservedly so), but this film....this is the real gem for me.

Watched these both and agree with you on Judas being the better movie. For me its the best movie of 2020 I've seen so far. Its stupid that Keith Stanfield got nominated for Supporting and not Main.

Also watched Ma Rainey's Black Bottom. Chadwick winning Best Actor won't just be a sympathy award...he really did have one of the best performances of the year in that movie. I'd be fine with either him or Riz Ahmed winning.

Nomadland, Minari and Another Round on my list for the year.

Army Of The Dead was straight trash

why was this movie 2.5 hrs long

how was this movie 2.5 hrs long, there's like 30 mins worth watching in the entire thing

I saw "zombie heist" and noped out. They're 2 genres that I just don't have a lot of interest in.

BREAKING: Amazon is buying MGM, the movie and TV studio behind James Bond and “Shark Tank,” for $8.45 billion. https://t.co/LZDQcnZvUq

— The Associated Press (@AP) May 26, 2021

The Bond jokes make themselves.

https://www.youtube.com/watch?v=xqQkB-OFUB4

Edgar Wright? Day 1

Looks great tbh

watched the new Guy Ritchie and Statham flick 'Wrath of Man' yesterday, had a real fucking neat cast when it was announced, but all of the decent actors are involved for like 5-10 mins at most. It's watchable, but not much more than that. Ritchie cashing in an easy payday I guess. The Gentleman was 10x better.

Watched The tomorrow war.

Oh boy, where do I even begin?

I can't believe i spent 2 hours watching this laughably bad film. It was so bad that it was hilarious. It's a shame because the premises was actually quite interesting. There is 0 redeeming factor in this film. Like even the CGI is bottom tier.

2/10 maybe

Personally i think any chris pratt movie is a 2/10. Expect maybe jurassic world

Yea he is a poor actor but does well in a comedy setting. Probably his best point. Ever since guardians, it feels like he is just trying to be star lord but a different variation of it.

He could barely do the emotional scenes in this film but was fine in the action ones.

True. He is good in Parks and Rec. Very bad dramatic actor otherwise

https://www.youtube.com/watch?v=8g18jFHCLXk

Firenze wrote:watched the new Guy Ritchie and Statham flick 'Wrath of Man' yesterday, had a real fucking neat cast when it was announced, but all of the decent actors are involved for like 5-10 mins at most. It's watchable, but not much more than that. Ritchie cashing in an easy payday I guess. The Gentleman was 10x better.

I saw it

The most normal film i've seen by Ritchie. It seems not made by him. Promising at the beginning but progressively the tense atmosphere turns into more classic action film. The story is interesting but

Spoiler:

and also a total lack of humor which surprised me

I rate B- clearly an easy payday